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Kuei Chih-Hung
Kuei Chih-Hung (桂治洪, aka Kwei Chi Hung, Gui Zhi-Hong, Gwai Chi-hung)〔(【引用サイトリンク】url=http://www.hkcinemagic.com/en/people.asp?id=1413 )〕 (December 20, 1937 – October 1, 1999) was one of the most popular and daring filmmakers to work for the Hong Kong-based Shaw Brothers Studios, directing more than 40 films throughout the late '60s, '70s and early '80s. Known for his bold cinematic style, innovative use of realistic, on-location shooting and often gritty, controversial subject matter, Kuei found critical and commercial success working in a variety of genres, including the hard-boiled crime drama of ''The Teahouse'' (1974) and its sequel, ''Big Brother Cheng'' (1975), wuxia classic ''Killer Constable'' (1981), and the cult horror favorites ''The Killer Snakes'' (1975) and ''Hex'' (1980). Kuei often added subtle commentary to even his most mainstream projects, depicting the poverty of the public housing, police corruption and colonial government rule with an unflinching honesty.
== Early life ==
Kuei was born in Guangzhou (in the southern Chinese province of Guangdong) on December 20, 1937. Kuei's passion for cinema began as a high school student in Hong Kong, where he would cobble together makeshift shorts from a shoebox projector and discarded film stock. After graduating from high school, he studied stage production and filmmaking at Taiwan's National School of the Arts, experimenting on several 8 mm films. After writing a few film scripts for the Taiwan film industry, Kuei joined the famous Shaw Brothers Studio in the early 1960s. Initially hired as an assistant director on two Taiwan-shot Shaw films, ''Lovers' Rock'' (1964) and ''Song of Orchid Island'' (1965), his skill quickly led to projects in Hong Kong and an apprenticeship in Japan, where Kuei continued to hone his craft.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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